**************** DIABLO 3 SPOILERS BELOW ****************
Diablo 3’s Witch Doctor shakes like he suffers from Parkinson’s. In one hand is his weapon, in his off hand is his wanga doll, both of them are constantly moving. The Witch Doctor is the Michael J. Fox of Diablo 3[D3]. His comical movements add some much needed humor to a plot line and atmosphere that can be, at times, dire. By the time you make it to Leoric’s Manor and delve into its torture chamber depths, you realize D3 is just as dark as its predecesores. The only thing that takes away from the fear that one feels as he or she ventures through the dungeons of Diablo are the in-engine story cinematics.
The games Act transition cinematics (major cinematics play when a player progresses from one Act/Setting to another) are some of the best I have seen and are a testament to Blizzard’s creative ability. The end game cinematic, that follows the slaying of Diablo, is gorgeously rendered and beautifully scored. It’s a cinematic that is befitting of the death of Diablo. Diablo, a character that is the series namesake and its main protagonist, deserved the cinematic given following his death. It’s the juxtaposition of the in-game cinematics and the in-engine ones, that makes it difficult to immerse oneself into the games story. Most of the in-engine cinematics are forgivable and not so terribly important to the overall game play, or the game’s story-there is one exception however.
Deckard Cain has been a reoccurring character in all three of the Diablo games. He is the last of the wise Horadric mages who have spent their lives fighting back the Prime Evils. Throughout all three games he has provided valuable information to the player and the plot, and more importantly (in Diablo and Diablo 2), he helped identify your magic loot. He is the wise old man that you would gladly give an ear to when asked to, “Stay awhile and listen.” Deckard Cain is/was the Yoda of the Diablo series. His death in D3 was a sad moment but the magnitude of his passing was lessened by the in-engine cinematic that portrayed it.
If any plot lines deserved the same cinematic treatment that was given to the Act transitions, Deckard Cain’s death was one of them. Instead of feeling like I just lost my Grandpa, Deckard Cain’s in-engine death came across like the death of a week old pet goldfish. I was sad, but the cartoonish visualization of his death cheapened what should of been a momentous event in the Diablo lore. Even in his death Deckard Cain was working to fight the Prime Evils. As he took his last few breathes he recrafted Tyrael’s sword, letting everyone know that, “The truth lies within,” just as Yoda, on his deathbed, lets everyone know, “There is another Skywalker.” Deckard will be missed, despite his unceremonious sendoff.